Tuesday, 7 April 2015

Selkie will seal the deal.



  In codifying the selkie, seal people, for Horn of the Kraken I drew heavily on the original myths out of Scotland Ireland and Faroese. It came as a happy coincidence that the myth was especially common on the Orkney Islands where Fjorn was born and raised. The myths for the most part are variants on the theme of the fairy bride where the fey wife lives for a span of years with her human husband than because of a circumstance, in the case of the Selkie the regaining of her seal skin, returns to life in her other realm.
    Looking at the world of Horn of the Kraken I felt the Selkie would have distinct advantages in their seal form that could be played to good effect and the game frame work for the Ulfhednar, wolf warrior, could be copied to make a playable character.
    In the myth when the selkie recovers it’s seal skin it vanishes into the sea never to return, although sometimes they come back to check on their children, thus to be true to the myth I put in the clause regarding level division that I think is unique to the denizens in the Fate of the Norns system.
     As the story developed I added the Okra call and worked Okra in as the physical embodiment of the transition to the afterlife. This came about by looking at early human cultures. Often the creature that posed a threat or prowled the graveyard was made the guide to the dead. For example in the Egyptian system Anubis, a jackal headed god, is the guide to the dead, and travels of all kinds.
    I made the section of taking a dead silkie’s hide out of whole cloth, but I felt it added to the nobility of the creatures that they would use the dead to grant full life to the living. I’ve signed my organ donor card and told my loved ones of my wishes, have you? Thus the modern day parallels a historic fantasy.

Crowd sourcing:

http://www.indiegogo.com/projects/horn-of-the-kraken/x/10328491
 

PENDELHAVEN
http://twitter.com/avalkauskas
FATE OF THE NORNS
http://www.fateofthenorns.com
http://www.facebook.com/fateofthenorns
http://rpg.drivethrustuff.com/index.php?manufacturers_id=3107

Sunday, 5 April 2015

Horn of the Kraken blog 1



In writing Horn of the Kraken I wanted to explore the miscommunication of cultures. Much has been made of the Viking raids over the centuries, but few know that those raids came in response to the Christian practice of padding the bill in all business dealings for non-Christians. To an honest Norseman this practice was viewed as an insult to his honour inviting retribution in the form of a raid. Thus a practice that the intruding culture viewed as an act of devotion was viewed by the existent culture as a grave insult. Things like this happen when ever two cultures meet. We tend to forget this in our media saturated world. Back in the day you couldn’t jut Google and see that the other guy didn’t mean it the way you’re taking it.
On the other hand, I also wanted to touch on the fact that the crusader’s supposed virtue was more a result of the winners writing the history than any actual fact. The crusaders in our real world were far more about controlling the trade routes for profit than any concerns of faith. Fighting men are and always have been fighting men. War brings out the worst in people. Even the schism I hint at between Hakon’s royal guards and the crusaders is mirrored in the rivalry between the various branches of today’s militaries.

Horn of the Kraken is a new novel from the keyboard of Stephen B. Pearl. It is set in the universe of the Fate of the Norns: Ragnarok Role Playing Game and will be crowd sourced for its production expenses at: https://www.indiegogo.com/projects/horn-of-the-kraken/x/10328491


PENDELHAVEN
http://twitter.com/avalkauskas
FATE OF THE NORNS
http://www.fateofthenorns.com
http://www.facebook.com/fateofthenorns
http://rpg.drivethrustuff.com/index.php?manufacturers_id=3107

Thursday, 5 December 2013

Hi all, This is a ones man’s opinion video Review of Feral Passion by Stephanie Bedwell-Grime.

 Review by Stephen B. Pearl

 Review Address: http://youtu.be/iGPdsGwLw-c

 Stephanie Bedwell-Grime’s web address: www.feralmartian.com

 Stephen B. Pearl’s web address: www.stephenpearl.com


Thursday, 7 November 2013

Thursday, 12 September 2013

INDIE HORROR LIT PANEL taken at Fan Expo 2013

Given that I am an infrequent blogger at best I thought this might appeal to some.

This is a video in six parts of the INDIE HORROR LIT PANEL taken at Fan Expo 2013

The small press publishing scene has always been a vital part of the horror lit movement. Panelists DARRELL DRAKE, STEPHEN PEARL, KAREN DALES and ALISSE LEE GOLDBERG explore the pros and cons of going indie and how to best get the word about your frightful tales out there, without the aid of big publishing. Moderated by Monica S. Kuebler.

            Addresses:

Monday, 19 November 2012

World Fantasy Con 2012

WORLD FANTASY CON

            What follows is a somewhat belated love letter to the organizers volunteers and all other people involved with the World Fantasy Con held in Toronto in November of 2012.

            To you one and all, I offer my deepest thanks. The check in ran like a well oiled machine taking only seconds to obtain the full kit which included a con badge holder that I am using at all other cons do to it’s functionality. A pocket for the con pass that leaves space for my business cards. A pocket on the back for other peoples business cards that I take. A pen holder that actually holds a pen, you know what I’m saying about ‘pen holders’, and an inner pocket to hold a pad of sticky notes. It is a brilliant example of good design. I must not forget to mention the book bag I was instructed to retrieve from another room. I admit to being a little bemused by this latter item, but with a shrug I went to the room indicated and picked up a fine canvas bag that I am sure will serve me at cons for years to come. The best part though was the stack of books filling it to near overflowing. I have heard from others the bags weighed about fifty pounds. I’m not sure, but there were enough books there to keep my lips moving while I read for a year or more.
            This brought me to one of the great examples of the forethought people put into this con. A table had been set up which was effectively take a book leave a book, so that people could fine tune the contents of their book bags. This may seem a small thing, but I find that the small things add up. I noticed this one, I’m sure the con in general was resplendent with little bits of intelligent forethought that I didn’t notice because they blended so seamlessly into the event.
            Karen Dales, fellow Dark Dragon author and good friend, http://www.karendales.com/ put me up for the event so we had driven in together. Leaving our book bags in my car we proceeded to the dealer’s room and began setting up the Dark Dragon table http://www.darkdragonpublishing.com . Again no glitches. The tables were in place, our location clearly marked the room was open, clean, smoke free and no one had been allowed to block the entrance.
            After carting the merchandise in I left Karen to finish setting up the Dark Dragon table while I went to do my panel.

WHITHER THE DARK ARTS?
Psychic detectives were popular throughout much of the twentieth century, and in the 1960s the novels of Dennis Wheatley played heavily on the Black Mass and other occult practices. Do psychic detectives still have “legs” in the technological world of the twentyfirst century? The overtly occult is more common in secondary worlds. Why is this? And will psychic detectives and the dark arts make a comeback?
Stephen Pearl (M), Richard Gavin, Derek Kunsken, David Sakmyster, Mark Teppo.

Despite a bit of a slow start and being one panellist down, (his flight didn’t get in until 3PM) this went well. The audience was large considering it was 2:00PM on a Thursday and the first panel of the convention. The conclusion was rather obvious. We agreed the paranormal PI is still around he / she is just being called a wizard, Ray McAndrews, Harry Dresden, or a necromancer, Anita Blake or one of the other traditional titles given a practitioner of the paranormal arts.

The sound system in the panel rooms was the one small persistent glitch that plagued this convention. In all it was very minor.
Then it was back to the Dark Dragon table.

I’m not sure which day anymore, but I made the acquaintance of Charles de Lint http://www.sfsite.com/charlesdelint/index2.htm while I was at the Dark Dragon table. We spoke only briefly but he seemed a friendly, gracious fellow and he accepted the gift of a copy of Nukekubi http://www.stephenpearl.com/Books/Books.htm#N with fine form. It’s always nice when a great talent is married to a degree of class and good humour. I also, finally, managed to remember to give Tanya Huff http://www.fantasticfiction.co.uk/h/tanya-huff a copy of Nukekubi, something I’ve been meaning to do for months. Tanya is as nice as everyone says she is. We’ve chatted on a couple of occasions, but I’ve always forgotten to gift her a book until this time.
The dealer’s room closed at six pm each night and the con stopped programming from six to eight pm. When I saw this on the schedule I thought they were mad, but really it created a wonderful period of time to mix and mingle. The first night I went to a restaurant with the authors of Dragon Moon Publishing http://dragonmoonpress.com/?product_page=1 . As nice and as talented a group of folk as you would ever want to meet. Karen Dales was along as well we whelps of the Dark Dragon were made welcome.
What I didn’t know at this point was that I could have been up in the con suite feasting on Chinese food. The next day I learned that the con suite was serving real food. After this discovery they became my choice for grazing throughout the con. Continental breakfast, sandwich and salad bar for lunch and on the respective nights Chinese, Greek, Jamaican. I felt like a hobbit that won the lottery. And once I found the secret, quiet, back room where they hid the pop I was laughing.
The conversations were wonderful. Everybody knew something of fantasy and or writing. On balance the attendees were nice, pleasant people. There was alcohol available, in extreme amounts when the parties got going on the Saturday, but I didn’t see one person who drank themselves past happy to stupid.
The autograph signing afforded me the opportunity to get some long awaited signatures. I came one step closer to accomplishing what is becoming a minor quest for me. I intend to get Mercedes Lackey’s autograph. I’ve tried for the last year and something always gets in the way. This convention I managed to make it into the same room with her twice. I heard her speak and came within three meters of her but alas the quest continues. It gives me something to look forward to. I sold one book during the autograph session and of course signed it. It was really more a meet and greet and it served its purpose.
The art show was impressive and the reception they had for it was something else. Howard Fox www.howardfox.com won the art competition.  Smoked salmon, and other hors-d’oeuvres were combined with free lemonade and ice tea as well as coffee and a cash bar to make a classy atmosphere. If you’d plunked the guests in tuxes and evening gowns no one would have batted an eye. Of course we were a bunch of authors, editors and publishers, so jeans and a T shirt fit in well enough. I had a lovely discussion about medieval weaponry with a gentleman, it took me back to my days in the SCA.
All in all the World Fantasy Convention was magnificent. To those who planed and executed this event thank you, you did brilliantly and have my greatest appreciation. If people don’t talk about how good a convention this was for years to come then there is something wrong with them.

Ankh em Ma’at to you one and all.

Stephen B. Pearl: www.stephenpearl.com
Author of:
Tinker’s Plague: A post-apocalyptic, science fiction, medical and political thriller, ISBN 978-1-933157-30-6 Available in paperback and e-book formats from Draumr Publishing: http://www.draumrpublishing.com/store/cart.php?target=main
Slaves of Love: e-book: A futuristic detective story of love and madness.
The Hollow Curse: e-book: A centuries spanning tale of love and obsession
Available from Club Lighthouse Publishing: www.clublighthousepublishing.com
Nukekubi: A paranormal, detective novel, ISBN 978-0-9867633-6-6 - eISBN. 978-0-9867633-7-3 Available in paperback and e-book formats from Dark Dragon Publishing: www.darkdragonpublishing.com